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Sympathy for the Monsters: Ultraman’s Minority Perspective

Ultraman is a perennial favorite, loved by generations of children for more than 50 years. We spoke to Uehara Shōzō, one of the scriptwriters from the series’ earliest days, who applied his outsider perspective as an Okinawan in creating some of the show’s more morally complex episodes.
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(Video) Godzilla’s Second Tour of Duty

When the Godzilla film series was resurrected in 1984, Satsuma Kenpachirō was chosen to suit up as the creature. Nippon.com recently interviewed the actor to learn more about the second round of movies (from 1984 to 1995) and the challenges of playing Japan’s most iconic monster.
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Being Godzilla: An Interview with Nakajima Haruo, the Man Inside the Suit

What makes Godzilla tick? If anyone can answer that question it might be Nakajima Haruo. The former actor suited up to play the role of Godzilla in 12 films. We recently interviewed Nakajima to discover how he managed to bring the monster to life on the big screen.
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Godzilla’s Analog Mayhem and the Japanese Special Effects TraditionHikawa Ryūsuke

The 1954 film Godzilla, with its brilliant combination of miniature sets and costumed actors, gave birth to a whole new genre, called tokusatsu (literally “special filming”). This distinctive style, pioneered by Tsuburaya Eiji, went on to become hugely influential in Japan and overseas, leading to many other memorable creations, including the TV show Ultraman. Hikawa Ryūsuke looks at the birth and development of this genre.
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