Views “Cool Traditions” Stay in Tune with Modern Life
“Randoseru” Backpacks Shed Childish Image as They Win Global Fans
[2016.07.07] Read in: 日本語 | 简体字 | 繁體字 | FRANÇAIS | ESPAÑOL | العربية | Русский |

Randoseru backpacks are a familiar sight in Japan, where they are universally associated with elementary school. Who would have imagined they would become a highly sought-after adult accessory overseas?

Buy Early

Backpacks are indispensable items for Japanese elementary school children, and getting the right one means planning well in advance. Popular lines of the bags known as randoseru sell out more than six months before the school year begins in April.

First-grade students with their shiny new randoseru.

The name randoseru is Dutch in origin. When the Tokugawa shogunate introduced a Western-style military system in the mid-nineteenth century, soldiers were issued Dutch rucksacks—called ransel—for carrying their kits around.

In 1885, Gakushūin in Shinjuku, Tokyo, instructed its young students to bring their supplies to school themselves, instead of having servants carry them. Two years later, in 1887, the young crown prince set an enduring trend when he started school equipped with a military-influenced randoseru.

Getting ready for school. (Ekaki/Pixta)

A Million Possible Variations

Randoseru are light but sturdy and will typically last through all six years of elementary school. The peak sales period is in August, months before the start of the school year. Department stores, supermarkets, and specialty shops start displaying the newest lineup around May or June; each year the bags seem to go on sale a little earlier. The most popular items may sell out as early as autumn.

“First of all, grandparents, parents, and children come to the store on a weekend or holiday to actually try the bags out,” explains Odashima Junko, general manager for bags and accessories at the major chain Aeon Retail. “Typically, parents and children come again to reserve or buy their bag during the Obon holiday in July or August.” Odashima notes that the recent popularity of “normcore” (simple, basic) fashion has influenced randoseru designs, which must appeal above all to young mothers, the most frequent purchasers of randoseru.

Aeon has 240 stores featuring sections dedicated to randoseru. Prices range from ¥30,000–¥150,000, with the average falling in the ¥50,000 range. There are 103 basic models in 24 colors. Custom orders, by which purchasers personalize the material, straps, threads, clasps, and more, are also popular; these allow for over a million variations.

Aeon Retail employee Yamashita Yoshinori introduces this year’s randoseru lineup.

Luxury brands from designer bag stores occupy a growing niche in the randoseru market. Last year, Kabankōbō Yamamoto sold out its entire stock of 13,000 brand-name randoseru—mostly priced at around ¥60,000—just one month after it launched the bags in June. Rival Tsuchiya Bag’s lineup was sold out by the middle of September.

In 2015, with just over a million children preparing to start elementary school, Funai Consulting estimated the total randoseru market at ¥50 billion—nearly double the ¥27.5 billion posted in 2005. Financial backing from “six pockets”—two parents and four grandparents—is often cited as a factor supporting high prices. When children make their elementary school debut, family members want them to have high-quality bags they can be proud of. This is the psychology that sustains Japan’s randoseru market.

From Italy to Hollywood

Lately, these durable, utilitarian satchels, with their simple but timeless design, have begun winning fans overseas, where they are being marketed as adult fashion accessories.

In March 2014, paparazzi snapped actress Zooey Deschanel in New York with a bright red randoseru on her back, sparking new interest in the bags. However, the roots of their burgeoning popularity in the West go back a little earlier, to 2011.

Ohba is a long-established Japanese bag maker with a reputation for excellence; it provided the randoseru for Princess Aiko, daughter of Crown Prince Naruhito. At the recommendation of an overseas buyer, Ohba entered its randoseru in the prestigious Italian men’s fashion event Pitti Immagine Uomo. The bags received accolades not only from Vogue Italia and the fashion press but also from newspapers like Corriere della Sera. Thus the Japanese schoolbag assumed a new identity overseas as a strong, high-quality, all-purpose backpack with an innovative design. By 2013, a Milan department store was selling 40 kinds of randoseru for men, while a Russian store featured over 100.

Randoseru for men at La Rinascente department store in Milan. (Photograph courtesy of Ohba)

“I heard that when the bags went on sale in Milan, Hermès employees were among the first to buy them,” notes Ōba Kōzō, speaking on behalf of Ohba Corp. “For them, our randoseru were eye-catching and innovative, and their hand-sewn craftsmanship went well with other high-end products. The bags have a simple design. They would be even more appealing to discerning European customers if we made them with materials like cordovan or European kip leather.” In contrast to the Japanese idea of randoseru as utilitarian book satchels for children, foreign customers tend to view them as sophisticated luxury items.

Renewed Appreciation

In the autumn of 2014, a retailer by the name of Mono in Tokyo’s Haneda Airport began selling randoseru for adults on a trial basis. Prices were high, ranging from ¥48,000 to ¥63,000. Still, the bags have sold at a rate of about 10 per month. Most of the buyers have been travelers from other Asian countries, who typically take them home as presents for children after checking to be sure that they are made in Japan. But one French woman in her fifties snapped up a red randoseru at ¥63,000, commenting “It’s sturdy and perfect for a computer.” The bags also accommodate A4 documents, with no need for folding. Padding on the back and adjustable shoulder straps make them comfortable to wear.

Japanese-made randoseru at Mono, Haneda Airport.

Over the years, randoseru makers have continued to hone their craft and seek ways to keep improving their bags. Their efforts to make the satchels lighter, more durable, more comfortable, and more attractive have laid the groundwork for their international success.

Within Japan, meanwhile, this global attention has helped shine a light on the skill and dedication of the artisans who make the bags and has led to renewed appreciation of their quality. And so continues the transformative journey of the randoseru—the latest example of contemporary Japanese culture to make inroads overseas.

(Originally written in Japanese by Doi Emi of Nippon.com and published on June 22, 2016. Banner photo: Karusupo Randoseru from Aeon Retail.)

  • [2016.07.07]
Related articles
Other articles in this report
  • The Sash Tying Japan to the West Bank: Palestinian Embroidery Inspires a Cultural EntrepreneurYamamoto Maki’s visit to the West Bank four years ago inspired her to launch a social-enterprise-style business producing obi sashes decorated with traditional Palestinian embroidery for upscale clients in Japan. Now she wants to broaden her efforts to empower more women in the conflict-torn region she has come to love.
  • Mikimoto Kōkichi: The Pearl King and His MuseumThe humble Akoya oyster, grown in the bays of Mie Prefecture, produces the most prized gems of the sea: pearls. A century after Mikimoto Kōkichi perfected his method to grow spherical pearls, the prefecture is home to a museum celebrating his work and the beauty it has made possible.
  • A Peek into the Pearl Culture of Mie PrefectureIt takes human talent, a gift from nature, and more than four years to produce the perfect pearl. We visited a community famed for these lustrous treasures to learn more about their production and the prospects for their future.
  • Keeping the “Ama” Tradition Alive in the Seas of MieMie Prefecture is home to around 1,000 ama, the women freedivers who keep alive a 3,000-year-old way of fishing. Today there are only around double this number in all of Japan, a sharp decline from more than 17,000 half a century ago. As the ama population ages, what can be done to keep this traditional occupation afloat?
  • Nishioka Fumio: An Armorer Bringing National Treasures Back to LifeTraditional Japanese armor combines a diverse set of different crafts and skills, including lacquer, leather, and textile work. Professional armor restorer Nishioka Fumio is one of the few people in Japan with all these skills at his command. We spoke to him about his work restoring some of the masterpieces of Japanese armor to their former glory.

Video highlights

New series

バナーエリア2
  • From our columnists
  • In the news