BOJ Kuroda signals no mood to rush stimulus exit even as Fed tapers asset buying
By Tetsushi Kajimoto
TOKYO (Reuters) - Bank of Japan (BOJ) Governor Haruhiko Kuroda on Thursday suggested his bank was in no mood to exit its massive monetary stimulus programme soon, speaking after the U.S. Federal Reserve decided overnight to taper massive asset purchases.
Kuroda, speaking to reporters after a meeting with Prime Minister Fumio Kishida, said his institution faces a different situation regarding the coronavirus pandemic compared with Western central banks.
The Fed, as widely expected, announced on Wednesday that it would begin reducing its $120 billion in monthly purchases of Treasuries and mortgage-backed securities at a pace of $15 billion per month, with a plan to end the purchases altogether in mid-2022.
"We are continuing monetary easing to achieve a 2% price stability (inflation) target. On top of it, we are also carrying out special programme to cope with the spread of coronavirus infections," Kuroda told reporters after Thursday's meeting.
The meeting was Kuroda's first routine gathering with the premier since Kishida took office last month. Kuroda said the pair discussed economy and financial market situations in and out of Japan, following his Tuesday meeting with Japan's finance and economy ministers, in which all three reaffirmed the BOJ's commitment to achieve its 2% inflation target.
New coronavirus infections are "quickly declining" in Japan, Kuroda said, but the central bank would continue to back funding for financial institutions through next March.
"We will continue the yield curve control (YCC) even after coronavirus infections are contained. The situations in the West are different from Japan."
Under the YCC policy, the BOJ guides short-term interest rates at -0.1% and 10-year bond yields around 0%.
With core consumer inflation hovering around zero, the central bank also buys government bonds and risky assets to achieve its elusive 2% price target.
(Reporting by Tetsushi Kajimoto; additional reporting by Leika Kihara; Editing by Chang-Ran Kim and Kenneth Maxwell)
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