Richard uses the photo of the Shinshōji Zen Museum and Gardens in Hiroshima Prefecture for the cover of her new book, because “the building looks contemporary, but its wooden roof is made by a carpenter from Kyoto based on traditional techniques. It symbolizes what the book is all about, which is to cover museums of all kinds, from traditional to contemporary. The narrow entrance to the museum heightens the expectation of what’s inside both the museum and the book,” she says.